| The Myth | |
|---|---|
Film poster |
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| Traditional | 神話 |
| Simplified | 神话 |
| Mandarin | Shénhuà |
| Cantonese | San4 Waa2 |
| Directed by | Stanley Tong |
| Produced by | Jackie Chan Solon So Barbie Tung Willie Chan Yang Buting Albert Yeung |
| Written by | Stanley Tong Li Haishu Wang Huiling |
| Starring | Jackie Chan Tony Leung Ka-fai Kim Hee-sun Mallika Sherawat |
| Music by | Wong Chung-Yin Gary Chase |
| Cinematography | Horace Wong Ng Man-Ching Michael Johnson Lai Yiu-Fai Choi Shung-Fai |
| Editing by | Yau Chi-Wai |
| Distributed by | JCE Movies Limited |
| Release date(s) | Hong Kong: 11 May 2005 |
| Running time | 118 minutes |
| Country | Hong Kong |
| Language | Cantonese Mandarin Korean English Hindi Malayalam Tamil |
| Budget | HK$15,000,000 |
| Gross revenue | HK $17,062,608 |
The Myth is a 2005 Hong Kong martial arts fantasy adventure film directed by Stanley Tong, starring Jackie Chan, Tony Leung Ka-fai, Kim Hee-sun and Mallika Sherawat.
Contents |
During the Qin Dynasty, general Meng Yi (Jackie Chan) is tasked to escort Princess Ok-Soo (Kim Hee-sun) from Korea to marry the Qin emperor in China. Along the journey, a Korean warrior attempts to seize her back but Meng Yi saves her. Ok-Soo falls in love with Meng Yi and displays her affections for him openly, but Meng keeps his honour by rejecting her and successfully completing his mission. The Qin emperor becomes critically ill later and he sends Meng Yi to find the elixir of immortality, the only thing that can save his life. The guards escorting the elixir are ambushed by rebels on the orders of the treacherous prince and chancellor. Meng Yi hands over the elixir to his deputy Nangong Yan (Shao Bing) and dies in the ensuing battle. Although Nangong Yan manages to bring the elixir to the emperor, the prince and chancellor accuse him and Ok-Soo of treason and force them to consume the elixir, condemning them to imprisonment in the Qin emperor's mausoleum for eternity.
In the present-day, Jack, an archeologist, is the reincarnation of Meng Yi, as he often dreams about his past life. One day, his friend William (Tony Leung Ka-fai) invites him on a quest to find a rare material that can create a field of zero gravity. They travel to a floating tomb of a Dassar king in India, where Jack finds a sword and has a recollection of a duel he had with the king in his past life. William removes a piece of the material and accidentally collapses the zero gravity field holding up the tomb, thereby destroying it. William manages to escape but Jack leaps off a cliff and falls into a river. He loses consciousness and drifts along with the current until he is saved by an Indian girl named Samantha (Mallika Sherawat). Later, Samantha brings Jack to see her uncle, a Kalaripayattu guru, who enlightens him about his past and future. Jack succeeds in returning home safely and he delivers the sword to the National Museum of China as a national treasure. His action angered the leader of the secret organisation that has been funding Jack and William's treasure hunt.
After extensive research, Jack and William conclude that the anti-gravity material is actually fragments of a meteorite that fell to Earth during the Qin Dynasty. They find the exact location of the Qin emperor's mausoleum, concealed behind a waterfall. The massive tomb contains the strongest fragment of the meteorite, which is powerful enough to make the tomb become a floating palace. Jack meets Ok-Soo and Nangong Yan inside the tomb and they mistake him for Meng Yi. Just then, a group of intruders led by the secret organisation's leader enters the tomb and they attempt to seize the immortality elixir, leading to an aerial fight between both them. William accidentally breaks the balance of the field after removing a piece of the meteorite and causes the tomb to collapse on itself, and dies after drowning in the mercury river. Jack escapes from the collapsing tomb, asking Ok-Soo to come with him, but she refuses after realising that Jack is not Meng Yi. Before the film ends, Jack is seen writing a book about his experiences, which he dedicates to William.
The Myth was released in Hong Kong on September 23, 2005, and earned a strong HK $6,230,000 in its first three days. It ended its run with HK $17 million, making it the third highest-grossing domestic release in Hong Kong that year.
Styna Chyn, from filmtreat, wrote a positive review of the film:
"Even though Jackie Chan did not direct “The Myth,” (Stanley Tong), he did produce it; and his creative input echoes throughout this genre-bending action film. Shot in China, Hong Kong, and Hampi,India, “The Myth” is a comedy of epic proportions. Combining historical fantasy, martial arts, and science-fiction, Tong’s film follows archaeologist Jack (Jackie Chan) and scientist William (Tony Leung Ka-Fai) on their adventures in investigating the veracity of a myth involving immortality, levitation, and a Korean princess-turned-concubine for Emperor Qin towards the end of the Qin Dynasty."[1][2]
David Cornelius, from efilmcritic, gave the film 4 out of 5 stars and wrote a positive review:
"Once again, it’s time to lament that while Jackie Chan has spent the past few years churning out mostly mediocre-or-worse flops like “Around the World in 80 Days” or those damn “Rush Hour” sequels in Hollywood, he’s also spent the same time flying back home every now and then to make some darn-good-or-better flicks that, sadly, remain mostly unseen Stateside because they’ve been unceremoniously dumped onto DVD by the studios that pick up the rights to them but then never really bother to do anything about it."[3]
Jim Hemphill, from Reel Films Reviews, gave the film 4 out of 5 stars and wrote a positive review:
"Jackie Chan's The Myth is enjoyable but second-rate Jackie Chan, an action film that's completely satisfying on every level except when compared to the star's own best work. Chan has, in some ways, become a victim of his own excellence: the astonishing stunt work and action choreography of his peak years (the 1980s period of the Police Story and Project A films) have set up expectations that no performer could continue to live up to, certainly not after moving into middle age. Viewers weaned on Chan's classics will undoubtedly find The Myth to be Jackie-lite, a slightly slowed-down version of his usual acrobatics. Yet the film does contain a few superb set pieces reminiscent of vintage Chan, and director Stanley Tong's opulent visual style makes it a feast for the eyes—and the bottom line is that half-speed Jackie Chan is still more dynamic than just about any other action hero."[4]
In Variety Magazine, Robert Koehler wrote a generally negative review of the film:
"Resembling a story session where many ideas are brainstormed and few stick, The Myth messily reps Jackie Chan in epic mode as a contempo archaeologist drawn into a plot to plunder the treasure of the Qin Dynasty's first emperor. As part of a movement in H.K. cinema to return to the ambitious movies of yore, helmer Stanley Tong's multi-period adventure flirts with considerable entertainment on one hand and near self-destruction on the other. Whether Chan's star power will pull in enough international bizbiz is doubtful, though ancillary should flex muscles in most territories."[5]
David Nusair, writing for Reel Film Reviews from the 2005 Toronto International Film Festival, was even less impressed:
"That The Myth eventually turns into an almost interminable experience is a shame, given the light-hearted and genuinely entertaining vibe of the film's opening hour...Fortunately, The Myth contains several expectedly impressive action sequences - with a fight set within a rat paper factory an obvious highlight - although it's not long before such moments wear out their welcome. This is particularly true of an unbelievably tedious plot development towards the end, which finds all of the film's central characters forced to duke it out inside some kind of an infinite, gravity-defying mausoleum (!) Chan is reportedly looking to get away from some of the sillier films he's been churning out as of late, but The Myth certainly does not mark a step in the right direction".[6]
On May 4, 2009, DVD was released in Cine Asia at the UK in Region 2.
On February 28, 2011, the movie was released including An Introduction to Cine Asia Featurette at UK in Region 2.
The theme song for the film, titled Wujin De Ai (無盡的愛; Endless Love) was performed in both Mandarin and Korean by Jackie Chan and Kim Hee-sun. Chan's stanzas were all sung in Mandarin, while Kim's solo stanzas were sung in Korean. However, the duets were all sung in Mandarin.
An alternative version, titled Meili De Shenhua (美麗的神話; Beautiful Myth), was performed all in Mandarin by Sun Nan and Han Hong.
The song was reused as the ending theme song for the 2010 television series of the same title. This version was performed in Mandarin by Hu Ge and Bai Bing.
The Kalaripayattu martial arts were performed by experts from C. V. N. Kalari school, led by Sunil Kumar Gurukkal, and based in the town of Nadakkavu, Calicut in the state of Kerala, India. List of stunt performers include John Foo, Wu Gang, Han Kwan Hua, Lee In Seob, Ken Lo, Park Hyun Jin and William Dewsbury.
On 10 January 2010, a 50 episodes television series, titled The Myth, was broadcast on CCTV-8 in China.[7] The series was produced by Jackie Chan and based on the same story as the film.
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